From Anne Michaels' The Winter Vault:
-- Jean, what I said about sadness . . . what I mean is that a building and the space it possesses should help us be alive, it should allow for the heeding of things; I don't know even how to talk about it, what words to use; just that some places make certain things possible or even likely -- not to go so far as to say a place can create behaviour, but it is complicit somehow. Is there a difference between making events possible and creating them? Does a certain kind of bridge create its suicides? I know that when I am in a great building I feel a mortal sadness, and it is so specific that when I leave the building -- the church, the hall, the house -- and walk back out into the street, I see everything around me with a clarity that only the experience of the building could bestow in me.
And what I said about building the room where I wished I'd been born, continued Avery, what I mean to say is that it would be a place to be reborn . . .
3 scribble(s) in the margin:
I'm reminded of a tiny little church nestled into a hill that rises from a Sheild Country lake (I think it was in the Muskokas). *Tiny* white-walled holy place ... couldn't have sat more than 30 people.
I felt that great and potent longing there ...
:-)
Oops ... I mean *Shield* Country ...
Isn't it interesting that sometimes the holiest places seem to be the smallest, or most humble in appearance?
I'm really beginning to think about my response to buildings, architecture, the way space is used. I'm loving this book!
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